Flow and When the Day Takes Care of Itself – Art at Traunstein's Office


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Alpine Light and Printing Inks: Two Artistic Handwritings in Dialogue
This exhibition at the District Office Traunstein unites two independent artistic positions: Clemens Büntig's Flow cycle with graphics and painting and Manuela Federl's photographic series Simply Alm – When the Day Takes Care of Itself. Between print graphics and documentary photography, an art experience unfolds that connects nature perception, everyday culture of the alpine pastures, and the poetic language of lines, light, and material.
Art Exploration: Rhythm, Layer, Space
In Büntig's works, transparent layers of color, fine line strokes, and experimental printing techniques condense into a vocabulary of nature observation. The image surfaces breathe; plant forms become metaphors for emotional states. The guiding motif Flow describes both the movement of color and the state of contemplation: an aesthetic experience between contemplation and vital energy.
Photographic Narrative Spaces of the Alm
Federl's series leads into the exhibition atmosphere of the Chiemgau and Berchtesgaden alpine pastures: tools, handwritings of the landscape, faces of the dairy maids and dairymen. Her images rhythmize work, time, and silence. Architectural fragments such as hay bale frames and wooden steles structure the space, make materiality visible, and almost make the scent of grass and wood palpable.
Curating and Context
The juxtaposition of print graphics and photography creates a dialogical exhibition layout: nature as motif, medium, and repository of culture. While Federl documents everyday life, Büntig transforms impressions into abstract yet nature-rooted image signs. Art historically, the presentation connects to traditions of landscape representation and artistic printmaking while simultaneously positioning them in a contemporary context.
Education and Communication
The exhibition is accessible during official office hours and invites independent art exploration. Accompanying formats such as the vernissage and exhibition tour (already occurred) demonstrate the program's accessibility for cultural education in the district.
Conclusion
Those who want to experience nature as cultural memory will find a precise, sensual display here. Colors, forms, and stories of the alpine pastures meet the quiet intensity of print graphic signs. A compelling reason to visit the exhibition live and sharpen one's perception.
Official Channels of Manuela Federl and Clemens Büntig:
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