When does the concert begin?

On Friday, March 6, 2026, at 20:00 in the Max-Reger-Halle Weiden.

How long does the concert last?

A song evening with an intermission typically lasts around two hours; the end is planned for around 22:00.

What is on the program?

Schubert Viola D 786, Die Gebüsche D 646, Der Musensohn D 764; Strauss Mädchenblumen op. 22; Argento Six Elizabethan Songs; Bridge Six Songs.

What do the tickets cost?

Single tickets according to the organizer from €26 in category III, further categories €32 and €37. Discounts available for members and under 30.

Are there parking options and public transport?

Yes. Parking directly in front of the hall and at the large parking lot Naabwiesen across the road. Public transport via the ZOB, the hall is just a few steps away.

Is the location accessible?

Yes. Ground-level access, elevator, accessible restrooms, and designated disabled parking spaces are available.

Regula Mühlemann live in Weiden - Max-Reger-Halle Concert 2026

Name: Regula Mühlemann & Tatiana Korsunskaya – Song Evening in Weiden
Start: 2026-03-06T21:00:00+01:00
End: 2026-03-06T23:00:00+01:00
Location: Max-Reger-Halle

An evening for fine tones: Regula Mühlemann in Weiden

The Swiss soprano star Regula Mühlemann will perform with pianist Tatiana Korsunskaya at the Max-Reger-Halle. The program features sparkling songs by Schubert and Strauss as well as jewels of the 20th century by Dominick Argento and Frank Bridge – a concentrated concert experience in first-class acoustics.

Sound colors & Program: From Schubert to Argento

The song evening opens with Schubert's poetic range: Viola D 786, Die Gebüsche D 646, and Der Musensohn D 764 depict images of nature, introspection, and departure. Richard Strauss' Mädchenblumen op. 22 unfold fine fragrance notes and vocal arabesques. In Dominick Argento's Six Elizabethan Songs, Renaissance texts shine in a modern orchestration idea at the piano. Frank Bridge's rarely heard songs bring British elegance and melancholic colors – a dramaturgically well-constructed program with internal tension and clear line management.

Voice & Piano Art: Lyricism meets Precision

Mühlemann's timbre – bright, radiant, agile – combines legato culture with clear declamation. Her phrasing remains breathing, the registers are homogeneously synchronized; coloraturas sit with elegant agogics. Korsunskaya shapes a chamber music dialogue game: flexible dynamics, sustainable sound, finely balanced pedal – an ideal conducting from the piano for song art.

Context & Merits: A voice with profile

Internationally celebrated from Salzburg to La Scala, Mühlemann shapes both the Mozart roles and the song repertoire. Her Sony Classical recordings have been awarded multiple times with the OPUS Klassik (including 2018 and 2021/2023). Concert stops this season will take her across Europe with tour programs and renowned orchestras. This authority meets the intimate storytelling of the song in Weiden.

Live Atmosphere in the Max-Reger-Halle

The Max-Reger-Halle offers ideal conditions for song evenings: clear projection, balanced acoustics, short reverberation times – every dynamic detail remains audible. Accessibility is comprehensive, parking is directly opposite in the large parking lot; public transport connection via ZOB is just a few steps away. Thus, the audience mood often begins in the foyer – focused, expectant, close to the artists.

What You Will Hear

Schubert with wide melodic arcs, Strauss with shimmering orchestration at the piano, Argento with pointed text painting, and Bridge with British nobility: an evening that oscillates between intimacy and dramatic brightness – finely balanced in orchestration, text interpretation, and stage performance.

Conclusion: A song evening full of poetry, precision, and closeness. Anyone wanting to experience song art at a world-class level in an intense live atmosphere should secure this date.