Ekaterine Ohrner-Natenadze at the Central Library Passau: Two Homes, One Line


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Between Bavaria and Georgia: A line that connects worlds
The University of Passau will open a focused exhibition of the artist and art historian Ekaterine Ohrner-Natenadze on January 12, 2026, in the foyer of the central library. About 30 works unfold an intense artistic experience between two homelands and lead into an exhibition atmosphere that composes identity, memory, and landscape.
Artwork Examination: Lines that Write History
In the paintings and graphic miniatures, Bavarian city views intertwine with Georgian mountain landscapes. Color areas and contour lines form a rhythmic structure in which motifs of painting and drawing merge into a dense visual language. The small-format, autobiographical miniatures serve as key works: They capture human conditions in times of upheaval and translate biographical experience into concise form.
Curating and Spatial Effect: Dialogue in the Library Foyer
The presentation in the foyer of the central library uses light axes and sightlines of the space to bring groups of works into a clear sequence. The curating emphasizes contrasts of topography and memory, leading from panorama into the intimacy of the sketch and thus creating an aesthetic experience that remains both contemplative and narrative.
Artist Biography and Art Historical Context
Born in Tbilisi, Ekaterine Ohrner-Natenadze has been living and working in Regensburg since 1995. As an art historian, cultural and social manager, as well as a theater painter, she links practice and theory. Her membership in BBK Lower Bavaria/Upper Palatinate and international awards position her work in the current discourse of figurative and topographical positions between Eastern Europe and Bavaria. Thematically, the works revolve around homeland, migration, memory culture, and the poetics of line.
Education and Mediation: Learning to See in Transition
The exhibition is suitable for art-interested visitors, students, and school classes. Series of works allow for comparative analysis of motif, materiality, and composition; the library context invites for deeper research. The opening reception with introduction offers first-hand art historical contexts.
Conclusion: An intense, sensory encounter with painting and drawing, which understands the idea of home as a movable category, is expected. Those who want to experience the dialogue of landscape and memory should definitely visit this exhibition live.
Official Channels of Ekaterine Ohrner-Natenadze:
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